Food & Wine Becomes Food & Milk

Client:
California Milk Processors Board
  • Food & Wine Becomes Food & Milk

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    Timed with the season of holiday entertaining, got milk? is taking one of the most iconic food publications, Food & Wine, and featuring on its holiday cover one of the most popular food-and-beverage pairings: Food & Milk. The goal of the placement is to encourage Californians to rethink how food and milk fit together and to reconnect milk to modern foods as part of the “Food Loves Milk” campaign. It marks the first time Food & Wine has changed their name on a cover wrap because of a brand. 

    Released: November 2017

    Tags:
    San Francisco, California Milk Processors Board, Print
  • Food & Wine Becomes Food & Milk

    2 of 2
    Prev Next

    Timed with the season of holiday entertaining, got milk? is taking one of the most iconic food publications, Food & Wine, and featuring on its holiday cover one of the most popular food-and-beverage pairings: Food & Milk. The goal of the placement is to encourage Californians to rethink how food and milk fit together and to reconnect milk to modern foods as part of the “Food Loves Milk” campaign. It marks the first time Food & Wine has changed their name on a cover wrap because of a brand. 

    Released: November 2017

    Tags:
    San Francisco, California Milk Processors Board, Print

Dreams of Dalí

Client:
The Dalí Museum
  • Dreams of Dalí

    When a piece of artwork really inspires you, sometimes you just want to jump inside it and wander around. And now you can. 

    “Dreams of Dalí” takes us inside the mind of the legendary surrealist Salvador Dalí by transporting us into one of his early paintings, Archeological Reminiscence of Millet’s “Angelus” (1935). Just put on the virtual-reality headset, and you’ll be able to move around inside the painting in a fully immersive 3-D environment. You’ll look beyond what was depicted in the original frame and even hear Dali’s possible thoughts as he was imagining his surreal world. 

    “We are excited that our partnership with the Dalí Museum has allowed us an opportunity to explore a new way to look at art,” remarked GS&P co-founder Jeff Goodby. “Dalí was a true visionary, and no other artist would be a better fit for this project.”

    “Dreams of Dalí” will be open to the public at the Dalí Museum in St. Petersburg, Florida. A 360-degree-video version of the experience, involving simpler VR gadgets like Google Cardboard or Samsung Gear VR, is also available at dreamsofdali.org. 

    Released: January 2016

    Tags:
    San Francisco, The Dalí Museum, Interactive, Film, Integrated, Mobile, Experiential

Make a Masterpiece

Client:
Adobe
  • Make a Masterpiece

    Make a Masterpiece

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    Stock imagery is rarely talked about in a positive light. Adobe is setting out to change that. Introducing “Make a Masterpiece.” Adobe challenged four digital artists from its Behance artist community to faithfully and intricately re-create lost, stolen or destroyed art using just Adobe Stock photography inside the Creative Cloud. 

    The artists and their assigned pieces of art included Karla Cordova (Ecuador) and Frida Kahlo’s The Wounded Table; Jean-Charles Debroize (France) and Caravaggio’s Saint Matthew and the Angel; Mike Campau (US) and Karl Friedrich Schinkel’s Cathedral Towering Over a Town; and Ankur Patar (India) and Rembrandt van Rijn’s The Storm on the Sea of Galilee.

    The result is four re-creations of lost masterpieces created from thousands of Adobe Stock photographs that, without a second glance, could pass for the originals. 

    The “Make a Masterpiece” experience is housed at http://www.adobestockmasterpiece.com/ and features the finished masterpieces as well as behind-the-scenes footage. Clicking on each masterpiece reveals the individual stock photos used in their creation. 

     

    Released: June 2017

    Tags:
    San Francisco, Adobe, Film
  • “Rembrandt/Ankur Recreation”

    “Rembrandt/Ankur Recreation”

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    Stock imagery is rarely talked about in a positive light. Adobe is setting out to change that. Introducing “Make a Masterpiece.” Adobe challenged four digital artists from its Behance artist community to faithfully and intricately re-create lost, stolen or destroyed art using just Adobe Stock photography inside the Creative Cloud. 

    The artists and their assigned pieces of art included Karla Cordova (Ecuador) and Frida Kahlo’s The Wounded Table; Jean-Charles Debroize (France) and Caravaggio’s Saint Matthew and the Angel; Mike Campau (US) and Karl Friedrich Schinkel’s Cathedral Towering Over a Town; and Ankur Patar (India) and Rembrandt van Rijn’s The Storm on the Sea of Galilee.

    The result is four re-creations of lost masterpieces created from thousands of Adobe Stock photographs that, without a second glance, could pass for the originals. 

    The “Make a Masterpiece” experience is housed at http://www.adobestockmasterpiece.com/ and features the finished masterpieces as well as behind-the-scenes footage. Clicking on each masterpiece reveals the individual stock photos used in their creation. 

     

    Released: June 2016

    Tags:
    San Francisco, Adobe, Film
  • “Caravaggio”

    “Caravaggio”

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    Prev Next

    Stock imagery is rarely talked about in a positive light. Adobe is setting out to change that. Introducing “Make a Masterpiece.” Adobe challenged four digital artists from its Behance artist community to faithfully and intricately re-create lost, stolen or destroyed art using just Adobe Stock photography inside the Creative Cloud. 

    The artists and their assigned pieces of art included Karla Cordova (Ecuador) and Frida Kahlo’s The Wounded Table; Jean-Charles Debroize (France) and Caravaggio’s Saint Matthew and the Angel; Mike Campau (US) and Karl Friedrich Schinkel’s Cathedral Towering Over a Town; and Ankur Patar (India) and Rembrandt van Rijn’s The Storm on the Sea of Galilee.

    The result is four re-creations of lost masterpieces created from thousands of Adobe Stock photographs that, without a second glance, could pass for the originals. 

    The “Make a Masterpiece” experience is housed at http://www.adobestockmasterpiece.com/ and features the finished masterpieces as well as behind-the-scenes footage. Clicking on each masterpiece reveals the individual stock photos used in their creation. 

    Released: June 2016

    Tags:
    San Francisco, Adobe, Film
  • “Frida”

    “Frida”

    4 of 6
    Prev Next

    Stock imagery is rarely talked about in a positive light. Adobe is setting out to change that. Introducing “Make a Masterpiece.” Adobe challenged four digital artists from its Behance artist community to faithfully and intricately re-create lost, stolen or destroyed art using just Adobe Stock photography inside the Creative Cloud. 

    The artists and their assigned pieces of art included Karla Cordova (Ecuador) and Frida Kahlo’s The Wounded Table; Jean-Charles Debroize (France) and Caravaggio’s Saint Matthew and the Angel; Mike Campau (US) and Karl Friedrich Schinkel’s Cathedral Towering Over a Town; and Ankur Patar (India) and Rembrandt van Rijn’s The Storm on the Sea of Galilee.

    The result is four re-creations of lost masterpieces created from thousands of Adobe Stock photographs that, without a second glance, could pass for the originals. 

    The “Make a Masterpiece” experience is housed http://www.adobestockmasterpiece.com/ and features the finished masterpieces as well as behind-the-scenes footage. Clicking on each masterpiece reveals the individual stock photos used in their creation. 

    Released: June 2016

    Tags:
    San Francisco, Adobe, Film
  • “Schinkel”

    “Schinkel”

    5 of 6
    Prev Next

    Stock imagery is rarely talked about in a positive light. Adobe is setting out to change that. Introducing “Make a Masterpiece.” Adobe challenged four digital artists from its Behance artist community to faithfully and intricately re-create lost, stolen or destroyed art using just Adobe Stock photography inside the Creative Cloud. 

    The artists and their assigned pieces of art included Karla Cordova (Ecuador) and Frida Kahlo’s The Wounded Table; Jean-Charles Debroize (France) and Caravaggio’s Saint Matthew and the Angel; Mike Campau (US) and Karl Friedrich Schinkel’s Cathedral Towering Over a Town; and Ankur Patar (India) and Rembrandt van Rijn’s The Storm on the Sea of Galilee.

    The result is four re-creations of lost masterpieces created from thousands of Adobe Stock photographs that, without a second glance, could pass for the originals. 

    The “Make a Masterpiece” experience is housed at http://www.adobestockmasterpiece.com/ and features the finished masterpieces as well as behind-the-scenes footage. Clicking on each masterpiece reveals the individual stock photos used in their creation. 

    Released: June 2016

    Tags:
    San Francisco, Adobe, Film
  • "Rembrandt"

    "Rembrandt"

    6 of 6
    Prev Next

    Stock imagery is rarely talked about in a positive light. Adobe is setting out to change that. Introducing “Make a Masterpiece.” Adobe challenged four digital artists from its Behance artist community to faithfully and intricately re-create lost, stolen or destroyed art using just Adobe Stock photography inside the Creative Cloud. 

    The artists and their assigned pieces of art included Karla Cordova (Ecuador) and Frida Kahlo’s The Wounded Table; Jean-Charles Debroize (France) and Caravaggio’s Saint Matthew and the Angel; Mike Campau (US) and Karl Friedrich Schinkel’s Cathedral Towering Over a Town; and Ankur Patar (India) and Rembrandt van Rijn’s The Storm on the Sea of Galilee.

    The result is four re-creations of lost masterpieces created from thousands of Adobe Stock photographs that, without a second glance, could pass for the originals. The “Make a Masterpiece” experience is housed at http://www.adobestockmasterpiece.com/ and features the finished masterpieces as well as behind-the-scenes footage. Clicking on each masterpiece reveals the individual stock photos used in their creation. 

    Released: June 2016

    Tags:
    San Francisco, Adobe, Film

Emily’s Oz

Client:
Comcast/XFINITY
  • TV Spot: “Emily’s Oz”

    Aired during the 2015 Academy Awards, a 60-second commercial called “Emily’s Oz” sparked a conversation about how people with disabilities enjoy entertainment.

    Comcast teamed up with GS&P New York to create the spot, which illustrates what a person who is blind sees in their head when they watch their favorite movie. “Emily’s Oz” brings to life The Wizard of Oz according to Emily, a seven-year-old girl who was born blind.

    Comcast and GS&P worked on the campaign with director Andreas Nilsson and some of Hollywood’s top set designers and makeup artists. The spot features a voice-over by two-time Academy Award–winner Robert Redford.

    The commercial directed viewers to EmilysOz.com, where they can watch a short documentary about Emily’s story and how her vision came to life. The site also explains the technology behind Comcast’s accessibility services.

    The talking guide that is featured in the spot is the latest in a series of innovations created in the Comcast Accessibility Lab. Comcast created, in addition to voice guidance and one-touch access to closed captioning, an online help-and-support resource for XFINITY customers looking for information about accessibility-related topics.

    “We want to create opportunities for people who love film and television but who might not have the opportunity to experience it to its fullest,” said Tom Wlodkowski, who was hired as Comcast’s vice president of audience in 2012 to focus on the usability of the company’s products and services for people with disabilities. 

    Released: February 2015

    Tags:
    Comcast/XFINITY, Film